One of the things about the modern technology being used in our worship service is that when the lyrics are projected to the assembly, the copyright line will always show the author and publisher. Think about that for a moment.
Let’s say there was a Mormon who wrote a hymn which actually had orthodox theology, and the “worship leader” thought it would be a good one for the congregation to sing. So the lyrics go up on the screen and the copyright says, “Latter-day Saints.” Should this song be used?
What if the song was written by a Jehovah’s Witness, and the copyright line projected with the lyrics said, “Watchtower Bible and Tract Society.” Should this song be used?
The answer to both of these should be, “NO!” As the congregation looks at the lyrics, they see where the lyrics came from, and it would appear that the leaders are giving tacit approval to these cults by using their material.
Now let’s get to the point. Vineyard. What does the Vineyard movement teach? Signs and wonders. False revivals. Emotionalism. Singing certain lyrics over and over to get into an almost altered state of consciousness. Aberrant “strategic level spiritual warfare.” Etc.
The founder of the Vineyard movement was John Wimber, who taught that he lived for extended periods of time without sinning. When it came to his preaching, Wimber stated, when challenged on unbiblical points, that “God is above His Word” and “God is not limited by His Word.” His whole paradigm of teaching was “Power Evangelism” - i.e., the preaching of the gospel MUST be combined with signs and wonders. When challenged on his teachings about modern prophets, Wimber stated, “Many if not most personal prophetic words given today are conditional, and as such are invitational, not certainties.” Yeah, I can see the kingdom of Israel accepting that, can’t you? Wimber even taught “psychic healing.” And who can forget “holy laughter” - which spread into other charismatic groups? Wimber also invited the Kansas City “prophets” to teach Vineyard pastors at a special conference.
Since there is much false teaching and charismania in the Vineyard movement, should we be promoting their songs in the assembly? The answer should be, “NO.” By doing so the copyright line is advertised to the congregation along with the tacit approval of the Vineyard movement.
Virtually all Vineyard songs I’ve seen the lyrics for are lacking in solid theology and are directed to stir the emotions — and they usually have some odd charismatic terminology. Here are two songs which are too often sung in the church at which I attend; I will first show the lyrics and then I will comment on them.
Hungry, by Kathryn Scott
Hungry, I come to you
For I know You satisfy
I am empty, but I know
Your love does not run dry
So I wait for you
So I wait for You
I’m falling on my knees
Offering all of me
Jesus, You’re all this heart is living for
Broken, I run to You
For Your arms are open wide
I am weary, but I know
Your touch restores my life
So I wait for you
So I wait for You
I’m falling on my knees
Offering all of me
Jesus, You’re all this heart is living for.
Well, I think this song borders on the “Jesus is my boyfriend” genre. But leaving that aside, how can one sing “I’m falling on my knees” while standing singing? Just what is the theology here? Or IS there any theology here? And is Jesus all we should live for or should we be living for God the Father through Jesus as our mediator?
All who are thirsty, by Kutless
All who are thirsty
All who are weak
Come to the fountain
Dip your heart in the stream of life
Let the pain and the sorrow
Be washed away
In the waves of his mercy
As deep cries out to deep (we sing)
Come Lord Jesus come
[repeat 3 times]
Holy Spirit come
[repeat 3 times]
As deep cries out to deep
[repeat 2 times]
This is another one of those songs with lots of repetition so as to work up emotions and get the congregation swinging to and fro before they start speaking in “tongues” or other such emotional nonsense.
So, just how does one “dip” their “heart in the stream of life”? What is the “stream of life”? Is this supposed to be Jesus? Or, as I’ve heard from many charismatics, is it the “river” of the Holy Spirit?” And why are we asking for the Holy Spirit to “come” when He dwells inside each believer? I can answer that one — all one has to do is look at the false revivals as they yell for the Holy Spirit to come and bring more “fire.”
Where is the “meat” of biblical teachings in these songs? Where is coherent teaching? Why must they be so esoteric in their terminology so that no one is really sure what is being said?
These examples of Vineyard songs are just to show how lacking in substance Vineyard music can be, let alone that they are really the net result of the type of teaching found with the Vineyard churches.
Let’s quit bringing such pap into our assemblies, and quit advertising for, and giving tacit approval to, the Vineyard!